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Laowa Nanomorph Zoom 50-100mm T2.9 1.5x S35 Arri PL Blue Flare

Laowa Nanomorph Zoom 50-100mm T2.9 1.5x S35 Arri PL Blue Flare

Product Code: L2421073S

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The high-quality Laowa Nanomorph Zoom 50-100mm T2.9 1.5x S35 Arri PL Blue Flare ensures consistent sharpness without focus shift for extremely versatile filmmaking with an S35 sensor camera.

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Laowa Nanomorph Zoom 50-100mm T2.9 1.5x S35 Arri PL Blue Flare Summary

Nanomorph 1.5X Anamorphic Zoom Series, the most compact, versatile and lightweight anamorphic zoom series for S35 sensors.

The Series features a 28-55mm and a 50-100mm with a maximum aperture of T2.9, for Super 35 sensors. Averaging ~3.31 lbs (~1.5kg), the Nanomorph Zoom is a unique tool for cinematographers to create various cinematic zoom effects and shoot high-quality widescreen footage without compromising quality or flexibility.

Own Your First Anamorphic Zoom!

Gone are the days when owning an anamorphic zoom lens seemed unattainable. In the past, these lenses were known for their heavyweight, limiting their versatility in usage. However, with the introduction of the Nanomorph Zoom, the game has changed. Now, the opportunity to own your very own front anamorphic zoom lens is within reach! Don't miss out on this chance to elevate your filmmaking capabilities and unlock new creative possibilities with the latest Nanomorph ZOOM!

Revolutionary Compact Anamorphic Zoom

The Nanomorph Zooms are the first S35 front anamorphic zoom lens with affordable pricing. Incredibly compact, the lenses weigh just around 3.34lbs (1.5kg) and measuring 7" (18cm), much smaller than other S35 anamorphic zoom lenses and are great for easy portability. These two lenses can cover your wide range of shooting needs. Say goodbye to heavy gear and embrace the convenience and versatility of the Nanomorph Zooms for all your shooting occasions!

Up to 3.6X Zoom Range

The 28-55mm and 50-100mm lenses together provide a versatile zoom range of 3.6x, making them perfect for mounting on cars, gimbals, or steadicams to capture footage. One common frustration is constantly changing focal lengths between shots. However, with these zoom lenses covering a range from 28mm to 100mm, you can capture different perspectives and significantly reduce the time spent changing between lenses.

Parfocal Design

Nanomorph Zoom lenses maintain focus throughout the zoom range. Filmmakers can confidently adjust the focal length without worrying about focus shifts. Whether you’re capturing wide-angle vistas or tight close-ups, the Nanomorph Zoom ensures consistent sharpness.

Super35+ Coverage

Nanomorph Zoom Series is designed to accommodate Super35+ sensors with its impressive Ø31.5mm image circle. Starting from 65mm, the lenses can also be utilized on full-frame cameras, although some slight vignetting may occur.

Maximum T2.9 Aperture

Nanomorph Zooms feature a maximum T2.9 aperture, providing excellent low-light performance and depth of field control, allowing you to shoot with high image quality even under challenging lighting situations.

Flattering Oval Bokeh

The T2.9 aperture also enables precise depth of field control, allowing filmmakers to isolate subjects and achieve a soft, natural-looking bokeh effect. The stretched bokeh effects also add a distinctive artistic touch to every movie you shoot with regards to a 1.5x squeeze ratio.

Constant 1.5X Squeeze Ratio

Our Nanomorph Zooms feature a consistent 1.5X squeeze ratio, making them the ideal companions for 16:9 sensors, which are widely prevalent in the market. In comparison to 1.33X anamorphic lenses available, our Nanomorph Zooms provide a significantly more pronounced anamorphic and cinematic aesthetic.

Why Choose Anamorphic and Not Spherical Lenses?

Because it is cinematic! Everything you shoot can now be cinematic with a golden aspect widescreen ratio of 2.4:1. The expanded field of view also reveals additional details and information about the scene. While spherical lenses can provide a more realistic texture to your movies, it is still undeniable that anamorphic lenses can make them more visually intriguing and engaging due to the distortion, oval bokeh and flare.

Short Focusing Distance

With the Nanomorph Zoom's short closest focusing distance of up to 45cm (1'5") on the 28-55 Nano Zoom (working distance up to 8.46"/21.5cm), you can capture stunning close-up shots and effortlessly shoot in tight spaces. This feature opens up a world of creative possibilities, allowing you to bring your subjects to life with dramatic close-up details.Whether you are shooting a product, capturing intricate textures, or adding depth to your storytelling, the Nanomorph Zoom's short focusing distance ensures that you can achieve the desired shot without any limitations.

Various Mounts Available

The Nanomorph Zoom* comes in a default ARRI PL version, ensuring compatibility with a wide range of professional cinema cameras. Optional mount bayonets for Sony E, Canon RF, Nikon Z, Fuji X, and L Mount are also available for purchase (50USD each, 100USD for a set), allowing users to seamlessly adapt the Nanomorph Zoom to their preferred mirrorless camera system. *Note that EF mount version IS NOT available for the Nanomorph Zoom series due to its protruding rear elements.

Best Affordable 2X Anamorphic Zoom

Laowa is bringing back the 1.33X Front Anamorphic Adapter with a 5% discount! Buy it as a standalone perk or as add-on, the adapter is a must-get for the anamorphic shooters to achieve a 2X anamorphic experience!

Crash Zoom, Slow Zoom, Dolly Zoom!

2X Anamorphic Zoom is also within your reach now! Now's your chance to do crash zoom shots from "Django Unchained" or slow zoom shots to gently unveil the tension and mystery!

Offers: N/A
Offer Category: N/A
Offer Product Type: N/A
Autofocus: N/A
Aperture ring: N/A
Constant Aperture: Yes
Lens CIPA Image stabilization rating: N/A
Colour: N/A
Diameter (mm): N/A
Length (mm): N/A
Weight (g): N/A
Distance scale: N/A
DoF scale: N/A
Elements: N/A
Environmental Sealing: N/A
Focus distance limiter: N/A
Focal length: 50 - 100 mm
Focus method: N/A
Filter Thread: N/A
Full time manual: N/A
Groups: N/A
Hood supplied: N/A
Lens Image stabilization: N/A
Lens mount: N/A
Lens Materials: N/A
Maximum focal length: 100.0
Maximum magnification: N/A
Maximum aperture (number): N/A
Maximum aperture (text): N/A
Max Format size: N/A
Minimum focal length: 50.0
Lens Minimum focus distance (m): N/A
Minimum aperture (number): N/A
Minimum aperture (text): N/A
Motor type: N/A
Number of diaphragm blades: N/A
Power zoom: N/A
Special elements / coatings: N/A
Tripod collar: N/A
Lens type: N/A
Wide/Tele: N/A
Lens Level: N/A
Best For: N/A
Best For Holiday and Landscape: N/A
Best For Interior and Architecture: N/A
Best For Fashion and Portrait: N/A
Best For Macro and Still Life: N/A
Best For Astro: N/A
Best For Street: N/A
Best For Wildlife and Sport: N/A
Zoom lock: N/A
Zoom method: N/A
Notes: N/A

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Condition guide

Our used products are subject to wear and tear in comparison to brand new products. This also applies to accessories that are supplied with the camera including batteries which may have a lower optimum performance level/life expectancy.

  • Like New – The equipment is in a condition as if you have just bought it from the manufacturer. The item is still considered to be ‘Like New’ even without the original packaging and accessories. The product has been fully tested and is in perfect working order. Lenses are optically clear. There may be light dust present that will not effect the imagery.
  • Excellent – The equipment should be close to being ‘Like New’ but there may be some small cosmetic blemishes that lower its grade. The product has been fully tested and is in perfect excellent order.
    • Cameras – Should have no marks on the LCD screen
    • Lenses – Should have no marks on the elements and optically clear. There may be light dust present that will not effect the imagery.
  • Very Good – The equipment may have some slight cosmetic wear to the paintwork and cosmetic blemishes  with only light signs of use and the product has been fully tested and is in great working order.
    • Cameras – The LCD screen may have small signs of wear that does not affect its display
    • Lenses – The mount of the lens will start to show signs of wear
  • Good – The equipment is showing more obvious signs of cosmetic wear and blemishes, but the product has been fully tested and is in great working order.
    • Cameras – LCD screen may have scratches or wear that is starting to affect the display.
    • Lenses – May have slight dust inside that does not affect images. The mount shows signs of use.
  • Well Used – The equipment will show significant signs of wear. The paintwork will be coming away in large areas exposing the metal work, but the product has been fully tested and is in great working order.
    • Cameras – LCD screen is heavily worn either by de-lamination or has scratches to it. Rubber grips are starting to come away from the body.
    • Lenses – The lens has dust inside that may affect images. The rubber zoom/focus ring is coming away from the barrel of the lens.

*All of our used items are listed with the accesories that are included. If they are not listed then they will not be supplied at eh epoint of purchase.

Used team

Peace of mind with our 6 month warranty

This product has been thoroughly tested by our team of photographers and we are happy to give a 6 month warranty as a result. The number of tests depends on the individual product but we are confident in this product having tested all the major functions. Anything that isn’t as you would expect, we then make a note of and show this in the condition notes on the page.

So you can be confident you are buying a great piece of kit that’s been looked after by a fellow photographer and seen many extraordinary sights, tested by our team of photographers and now looking forward to being set free to capture more great images!

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